No Shave Yoga Event

rsz_1rsz_nsyeDuring the month of November I am striving to raise awareness about cancer and to help fundraise for the organization www.no-shave.org. I have created two main events to help this process. One is an actual gathering at Native Yoga Center for a donation based yoga class on November 22nd at 12pm. If you live locally in South Florida you can register for the event at the No- Shave Yoga Event registration page. The other event is an online fundraising social media campaign involving male yoga teachers from around the world. We are collectively growing a beard to support the cause and are posting pictures and words of inspiration on our social media channels. Our team is called Yoga Beards Unite and it consists of @adampolhemusyoga @brianmilleryoga @davidmiliotis @gregnardi @juankgalan @nativeyoga @willduprey. Follow us on Instagram and on our favorite social media channels. These events are open for all to participate, male and female. Your support will help those who are working through the challenge of cancer receive financial and moral support. Help show your support by including #yogabeardsunite on your posts as well. Thank you!

Pass it on: Ashtanga was not designed for adolescent boys

The Confluence Countdown

One of the many delightful moments at this month’s Ashtanga Yoga Confluence was when Eddie Stern invited everyone in the audience to pass this message on:

“Ashtanga was not designed for adolescent boys.”

He noted that if all 350 people gathered passed that on — in Los Angeles, in New York, in Florida, in Arizona, in Israel, in Mexico and everywhere else we’d come from — it would go a long way to ending this myth. (One place you’ll find this myth is good old Wikipedia.)

“This is not true,” Eddie said of that myth. Krishnamacharya and eventually Guruji were teaching all types of people at the Mysore palace and Sanskirt University, but when it was time for demonstrations, the boys were the ones on show. But they weren’t the intended students.

Do I have to remind you who were?

Sick people, old people, stiff people… everyone except lazy people.

Pass…

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The Evolution of Our Practice

The Evolution of Our Practice
Anytime we examine the process of evolution it is important to have a clear memory of the past. If we can distinctly recall our history and also take an assessment of where we are now, then it is possible to examine what has occurred and notice if and how we have progressed.

  
At some point, in the realm of yoga practice, we have the opportunity to reflect on how our practice has evolved. Regardless of how long we have been practicing this theory can hold true. The reality is that one would need to have at least two practice sessions complete to be able to observe the progression of the practice. We can notice how our perception has shifted from one repetition to the next. This ability seems to become enhanced the longer we are involved in and with a practice.
Do you remember the first time you encountered yoga? It is important to try to recall the feelings we had regarding our first experience. It is really interesting to try to recollect the reason why we decided to try practicing yoga in the first place. There are multiple reasons why we might find interest in trying yoga. Perhaps it is to try a new form of exercise, lose some weight, increase our flexibility and strength, or even to delve deeper into our understanding of spirituality and self inquiry. Regardless of the reason, if we can first become clear about the “why”, we can begin to see how we have grown since that time.

  
Do you feel like you have progressed since your first encounter with yoga? I feel progression is a lot easier to measure once you establish your self in a practice for a long duration. Exactly how long? That will depend on each person. I remember the first time I tried yoga it was in the form of Mantra yoga and it required chanting words using japan mala(108 beads strung together to serve as a tool to keep focussed on the mantra recitation). I quickly found that it wasn’t as easy as I thought it would be but I did notice some positive effects very soon thereafter. I did not stick with it though for any continuation so it is challenging to say how effective it could of been had I made a daily ritual of it. I mention this because progression seems to rely heavily on endurance with dedication to one form of yoga for an extended span of time.
If we were to come to the realization that we do not feel like we have progressed this would probably be due to two factors. One, are we still practicing? The second being, do we have faith the practice will take us to our goal? If the answer to the first question is no, then I think it is probably obvious as to why we don’t see any transformation. If the answer is yes and we still do not feel like there is an unfolding of development then the big question becomes, do we believe in the method of practice to begin with? I say this is the “big question” because believing in what you are doing is one of the golden keys to success. If from the core of your being you feel that your method of practice is sound and true, then a favorable outcome is bound to occur. Faith constitutes a cornerstone in the path to progress.

  
I found myself reflecting on these questions today as we are coming to the close of our Third Series Teacher Training with Tim Miller. I feel like these two weeks have been an incredible opportunity for growth and development. When I first started practicing asana yoga I undoubtedly was attracted to the challenge of the posture practice. I was enthralled with trying to deepen my poses purely in the realm of the physical. To be very honest I am excited about this aspect of the practice more than ever before. Exposing myself to this group of practitioners has inspired me beyond measure. As I probe the question a bit more deeply though I can’t help but feel that my understanding of yoga and its purpose is what is truly evolving. Is it because of the asana I am feeling so much indebtedness? Perhaps it is because Tim has opened me up to a multitude of complimentary practices (asana, pranayama, bhakti, kirtan and mantra) that I am feeling such a deep sense of gratitude? Regardless, I feel that my whole focus has radically shifted from a place of desiring progress through the physical to a place of thankfulness for the transpersonal. That is an appreciation with states or areas of consciousness beyond the limits of personal identity. In some miraculous way I feel that I have been able to shed a few of my inhibitions and the moral support of the gathering of these folks has given me a renewed sense of accomplishment. Thank you for this as I am deeply beholden.

Yoga from the Heart

Today there was a grand sense of accomplishment in the shala amongst the participants. We completed our investigation of the Third Series poses.
Today we examined:
Dikasana A&B (some books call it Dighasana but Tim mentioned Guruji always said Dikasanana. Plus a dika is a bird which seems befitting of this pose.)


Trivikramasana (3 Steps Pose which is a reference to the god Trivikrama which is an incarnation of Vishnu)


In 1982 Tim did his first yoga demonstration in India in front of 300 Indians. There were several demonstrations from the men, and then the women. A husband and wife couple practiced the whole Second Series in front of them. Tim was chosen to demonstrate the entire Third Series alone with Guruji counting it in Sanskrit at breakneck speed. Tim said he was in his prime at this time. Guruji claimed that when Tim demonstrated Trivikramasana that the crowd gasped. Guruji said that he had done it so well that the crowd thought the god Trivikrama had embodied him in that moment to enable him to perform it so flawlessly. Tim said that was a long time ago so he hopes that now Trivikrama will come through for us when we practice it. I thought that was really cool.
Natarajasana (King of the Dance Pose)


The picture of this Nataraja(Dancing Shiva) is of a murti, or representation of the divine, that Tim got on a trip to Mysore.


He told us this story about how when in Mysore you practice and the remaining time you have free to yourself. Tim enjoyed shopping and would look for interesting murtis to buy. He had established relationships with some of the local art dealers so that when he would return to India they would come to his door to show him their wares. They would always say, “This one is very special price, very good price for you.” This particular one he found at Lalita Hall which was the old Maharaja’s summer palace. There was a store called Saraswati’s Handicrafts and he went in to visit and see what Saraswati had available. When he saw this Nataraj he said he was interested in buying it. Saraswati replied, “That piece is very rare, not for sale. Not for sale.” Tim continued to persist. Again she said, “This piece is to rare, I am sorry not for sale” in her sweet Indian accent. She then called the boss man and it turns out, “It is for sale, but this one very expensive.” So after bargaining with her he was able to acquire it and he took it to Guruji to see what he thought. He showed Guruji and he asked, “how much you pay?” He told him and Guruji just shook his head as if to say, “you sucker.” Big laughs around the room after this story. A student then chimed in that the last time he was in Mysore some of the vendors will say to the yoga students, “Tim Miller buys his murti’s here.” I thought this was so classic.
Raja Kapotasana (King Pigeon Pose)


  

Eka Pad Raja Kapotasana (One Legged King Pigeon Pose)


Tim writes a blog called Tuesday’s with Timji. You can check it out and follow him by clicking the link: http://timmiller.typepad.com

This Tuesday he wrote,

“The full moon on Saturday August 29th at 11:35am PDT will be at 12 degrees Aquarius in the nakshatra known as Shatabhisha—“the Hundred Physicians”.  On the same day, the first ever Third Series Training will come to a conclusion at the Ashtanga Yoga Center.  Since August 17th I’ve had the pleasure of hosting 40 advanced students of Ashtanga Yoga from all over the world.  It’s quite a dedicated group of practitioners—highly motivated and very hard working—an ashtanga teacher’s dream, really.  The Mysore classes have been huge and very sweaty.  With so many people practicing third and fourth series, the studio almost has a circus like atmosphere—sometimes I catch the local students gawking at some visiting phenom displaying a combination of strength, flexibility, and agility.  It’s certainly the most advanced group of students I’ve ever had gathered together at one time.  Best of all, these people all seem to have some real depth and appreciation of what yoga is really all about.  It seems fitting that the course will end on the full moon in Shatabhisha, a sign associated with healing and expansion of consciousness.  I was born with my Sun in Shatabhisha so I have some familiarity with these themes and have been exploring them through yoga for nearly 40 years.  My sincere hope is that something of real value is being transmitted during this course.  The enthusiasm of the students is contagious—it almost makes me feel like starting to practice the third series again.”
I include this to help explain the general vibe in the space. It is so incredible in there. As we approach our last 3 days here with Tim I think we are all wishing that it wouldn’t come to an end.
Here are some pics from the end of the day surf session. The water was so warm and inviting which is very rare in my opinion in Southern California. There were some fun small waves and I was able to grab a few pics to help convey the stoke.


  

Tragic or Magic~You Choose

Today is Tuesday, August 25th, 2015. We are in the second week of a Third Series Ashtanga Yoga Teacher Training with Tim Miller. Here is a brief recap of today’s events.    6:00am Pranayama ~ Seriously challenging! At the Bhastrika, Surya Bhedana and Chandra Bhedana segment the breath holds were clocking in around 45 seconds. I figured this out because I could hear the second hand ticking away. I started to wonder why I was having so much challenge today. I stated to count the ticks as the clock went around and realized, yes, Tim seems to be pushing the edge a bit further out.

  
7:00am Led Primary Assist ~ I had the opportunity to help assist in the Led Primary class that Tim taught this morning. I really enjoyed working with the students from the training and I am learning so much by watching the assists the other trainees are using. 
8:30am Hanuman Chalisa ~ Today we had Tim on Harmonium and guest musicians on, drums, guitar, acoustic bass and I played the ukulele. The choir was enormous and it was absolutely amazing. At the end Tim said, “We should have recorded this one. That was epic!” It truly was so much fun and a complete inspiration.
9:00am Mysore Practice ~ I felt really good today. The energy in the room kicked up a notch and it felt like the students were pushing the limits a bit. I had this feeling like we were all encouraging each other to put more effort into our focus and that Tim was orchestrating something quite wonderful. I feel like I am working harder than ever but in a relaxed way. Hard to explain. It just feels comfortable in the room.

  
12:00pm to 5:00pm Teacher Training ~ I am so sore right now I can hardly lift my arms up. Every muscle is worked to the nth degree. We covered the poses, Viparita Dandasana, Eka Pada Viparita Dandasana, Viparita Salabhasana, Ganda Bherundasana, Hanumanasana, and Supta Trivikramasana. If trying to read those words feels like a foreign experience, all I can say is doing them out of the sequence of the mysore practice is like an exotic escapade. It is an adventure in to the far reaches inner terrain. I am trying to be funny because I feel giddy right now from working my body and mind so intensely. You get so sore that you forget that you can hardly move and you just keep moving. It actually feels quite liberating. It is a very sweet soreness. We got to sing another Hanuman Chalisa after the break. This somehow neutralizes the intensity of the experience.
6:00pm Sunset Surf Session ~ This is not a part of the curriculum but I decided to add it in. It is the best way for me to absorb all of the info and experiences of the day. When I got to the beach it looked smaller than yesterday. I went out and had so much fun catching some baby waves. The swell began to build though and the sun set on the horizon and it was magic.
Today Tim read a quote from the book called Hanuman by Vanamali which said, “We cannot choose our life but we can choose how we live it.” Everything about this quote speaks to me of truth. It leaves the door wide open for us to decide how we would like to view our present reality. We can make excuses and blame others or we can take responsibility and rise to the challenge. This quote encourages us to accept the past and to choose how we would like to interpret the reality of this moment. The beauty is that is a choice that is up to us.

  

Living on the Edge of a Circle

  
Yesterday was Sunday and we had practice in the morning and the rest of the day free to roam. I went and practiced Tim’s Second Series led class at 8:00am. There were just over fifty of us in the room going all the way through Second together. It truly was a remarkable class. Tim practiced it with us which made it extra special. It is really like a combination of a led class and a Mysore stye class. Tim will announce the name of the pose and then we all just move through the vinyasas together and arrive in the state of the pose. We would hold the pose until he said five which obviously indicated the end of the five breath count and then we moved through the next vinyasa and continued like this throughout the series. So there was no sanskrit counting and there were very little words spoken. Just a few good natured jokes were thrown in classic Tim style. We also did a few “research” poses which means we would do a few preparations for the more challenging poses. These were kept to a minimum however to maintain the continuity of the series. When questioned as to how much “researching” is allowable, his response is that it needs to be kept to a minimum and the the pose you end up using as your asana needs to be as close to the pose you are actually trying to achieve. Moral of the story, don’t stay to long on the “scenic route.” What really struck me as fantastic about this class was that there was a group of us tightly packed in to the room and the vibe was just so light hearted and serious at the same time. There is such an incredible focus in the practice yet each of us seemed so happy to be there that the camaraderie felt palpable.  
When class was finished I came home and cleaned up. Tamara’s other grandma lives up in Laguna Hills so I drove up to see her. The traffic was horrendous on the I-5 heading north which was a good reminder for me as to the reality of driving on Southern California freeways. I picked up some flowers and went and saw Oma. We were able to have lunch at one of her favorite restaurants and after that we snuck into See’s Candies but we’ll keep that part a secret. After getting Oma home safely I drove a bit further north to visit Tamara’s Aunt in Costa Mesa. It was so great to catch up with her family and have some time to sit with them and relax.

  
Today is Monday and we are back into Teacher Training mode. This morning I arrived at the shala for 6:00am Pranayama. I have to say that the pranayama routine is something else. It is hard to describe how challenging it is to keep up with “Big Tim.” I swear his lung capacity must be about 3 times the size of mine. He can inhale for such a long time that I find I am trying to narrow my epiglottis to the smallest pin sized hole to insure it will take a long time to suck in a lung full of air. The trick is that if you breath in to fast your lungs are full and now holding it even longer then the time that Tim is. So part of my mental coaching component is that I need to be inhaling for as long as he does. What is so much even more unbelievably challenging is to then exhale really slowly the air out which always seems faster than Tim’s. At this point you are so out of breath and then you have to hold the breath again with no air inside and wait for the next inhale. By this time when I suck that next breath in it sounds like someone just released a balloon that noisily flaps across the room. I have already figured out how to cheat but Tim just said “no cheating.” All I can say is I just try the best I can, squeeze the heck out of some Moola Bandha let the sweat come up to the edge of my skin and fall over the edge.

  
Immediately following we unrolled our mats and began our Mysore practice. There are two ninety minute Mysore classes on Monday so the room had a little extra space. Still a good forty of us were making our way through our routine. The energy in the room felt a bit more settled today that it did last Monday. I think last Monday it was our first day and we were all so unbelievably pumped about it that it was just amazing. One week later and there seemed to be a little less wind in our sails. I am speaking from my own point of view yet when I asked others it seemed they all agreed. This felt really positive because it had an aura of us sinking in. I feel like I am more comfortable. I have gotten to know a lot of the trainees and for lack of a better analogy, “the dust is settling.” I got some great adjustments today. Tim approved me adding a new posture today at the end of my routine which is always fun for me. I also asked for some assistance in Viparita Chakrasana which typically in English is called ‘tick-tocks.’ You go up into a handstand and slowly drop your feet over your head and land them on the floor and then immediately push as hard as you can with your legs and lift them back over your head and return into a handstand then land the feet again on the floor. I haven’t had assistance in this in I can’t tell you how long. Of course a few jokes were made about my ability(actually lack of) in this and I am so glad to have Tim’s assistance again. One of my most favorite poses is Vrschikasana which is Scorpion pose. This is done after the the whole tick-tock and handstand drop over routine. It is performed by going up into handstand and progressively a deep back bend and touching your toes to your head while you balance on your hands. Tim had to give a strong adjustment for me to get me toes to touch my head and right when he did I got the best crack in my back and it felt amazing. I swear that right after that my energy increased. Tim said, “ohh, back getting stiff.” That made me think about the realty of how much things change in 10 plus years. All the more reason to get my butt back in Tim’s shala. It felt so good though to have my toes touch even though a little more pushing was necessary. Kind of like resetting a clock.

  
After class we had some time to refresh and I found this killer juice bar close by and settled on a liquid breakfast. There are so many amazing healthy food options here in Encinitas and Southern California in general. One thing that I am so happy about is that Florida is starting to catch up, at least in the Juno Beach area, with the west coast. In my opinion though, Cali is King in this department.
Teacher Training was pretty stellar today. We covered some unimaginable postures in our session. We started off with Astavakrasana A and continued in order through Astavakrasana B, Purna Matsyendrasana, Viranchyasana A and Viranchyasana B. I feel I could write a novel about each of these yet the one that sticks out most clearly in my mind is Purna Matsyendrasana which means Full or Complete Lord of the Fishes Pose. It is by far the deepest knee flexion pose I have tried and also the most serious twist on top of that. I was working with a partner and dialing it in a bit and making some progress. Tim came over and adjusted me in it and, oh my heavens. He got me way deeper than I have ever gotten it that before. It is such an edgy pose. The knee element is off the charts and the twist is so intense. In about three seconds I had sweat just pouring out of me. He adjusted both sides but what was really phenomenal was the feeling I had after it. My hips and knees felt so good and I got the best energy rush up through my torso. I like this one so much now. I was so apprehensive of it but I think I have made a new friend. Also, because I had some assistance I was able to make it through Viranchyasana A. There are three parts to this one. The main essence is that you put one foot in half lotus and then put the other leg behind the head and try to balance sitting upright. I love this pose as well. It makes me think that the designer of this pose must of thought, “how could I combine the most challenging elements of strength and flexibility and put it into one package?’ The originator did a great job of succeeding at this. The next pose though, Viranchyasana B, is another story all together. It makes Janusirsasana C seem like a walk in the park. I have had to work so hard to get my Janu C somewhat comfortable. This pose definitely takes me out of my comfort zone. I took it real easy because I am determined to leave this training with all my limbs attached and in working order.
Another highlight of todays session was singing some songs to Shiva and story time with Tim. Tim read a passage from the Mahabharata and I just kicked back and enjoyed the tale. I love the Indian stories so much. Tim called the Mahabharata the first and original Game of Thrones. They are such fantastical tales that weave in deep spiritual concepts. The stories are so rich in metaphor and colorful in their rendition of human and celestial drama. It was the perfect compliment to the challenge of our asana investigation.
Tim threw out a couple of statements today that I really enjoyed. Someone brought up the fact that sometimes the practice brings them to tears. Tim told us Guruji would say, “Why crying? That’s a $25 dollar fine.” In good humor of course. Tim responded with, “There is no crying in Ashtanga yoga, actually, there is lots of crying in Ashtanga yoga.” This made me smile. The gist I feel is be strong and let emotion move through you at the same time. Another favorite was in relation to a comment he made that the Third Series is an “edgy series.” He asked if we ever heard the saying, “If you are not on the edge you are taking up to much space.” I had heard him say that before, but now I think I get what he means.

  
To top it all off I ended the day with a surf down at San Elijo State Beach. The waves were small but as the wind dropped off the water became as slick as oil. The sunset would catch the angles of refraction on the water which created a mosaic of color and beauty. I found myself just laying on my board and becoming mesmerized by the tranquility of it all. There is something about just waiting for a wave and floating on the surface and looking out into the great open ocean that puts me into a meditative state. It got me thinking about how our ancestors at one time thought that if we sailed to the horizon we would drop over the edge of the Earth. Low and behold, and quite luckily they did not. Instead of going over the edge, they brought us to where we are now, full circle.

A Day of Rest and Reflection

  
Today is Saturday and our day of rest from asana practice. One thing that I really love about the Ashtanga method is that it is recommended to take at least one day off per week and to not practice on the new or full moon. Sometimes people can get obsessed with the asana practice and perhaps if this rule was not in place some people would hammer out an intense practice every single day. Personally that would not be an issue for me. The fact that there is a prescribed 6 day a week practice schedule is something that takes a lot of time to really cultivate and maintain. I also think that no practice on moon days, the new and full moon, is the best invention since sliced bread. I adhere to the Saturday off idea mainly because that is what I learned from Guruji and Tim, but it is good to note that you can make that day any day you choose. Yet still the 6 days, “you do!”
When Tamara and I went to Mysore we asked the assistance of someone to help us find a room to rent while we were there. The gentle Indian man said “I can’t help you tomorrow because it is moon day, yet the following day I can.” In this case he was not an “asana” practitioner (I don’t think) but he took moon days off from work anyhow. This blew our mind. We had never come across this concept before. When we were practicing Bikram yoga never once was this notion mentioned, nor was there any talk of breathing either but that is an entirely different story. I have to admit that right away I thought that moon days were a brilliant concept regardless that it was a foreign idea. Now as a 6 day a week practitioner (as best I can as a family man), I think moon days are incredible. Now every two weeks, you get a day to rest your body as well as the Saturday. I think that the element of the fixed day off one day per week, combined with the extra two moon days off on alternating intervals, creates a variation of change within a consistent structure. 
If you don’t adhere to this rule you probably are thinking, “Todd is getting a little out there.” I promise though that if you try this it will seem like the most remarkable concept ever created. That is little background story of why then, today we took the morning off to rest. We had Teacher Training session today from 1 PM to 6 PM yet Tim still honored this tradition by giving us a five hour tour of the third chapter of the Yoga Sutras of Patanjali. It was remarkable as those of you who have met Tim can imagine. In his First and Second Series Teacher Trainings he covers the first and second chapters of the Yoga Sutras. So this was the first time I have had the privilege of having him go sutra by sutra and take the time to allow us to share our thoughts about what they could potentially mean. Reading the Yoga Sutras can be a lifetime of study because they are challenging to decipher. The Sanskrit language allows multiple translations for every word so that over the years many translators have given different meanings for each sutra. There is usually a fairly common thread amongst most meanings, non the less, they can be quite confusing to contemplate at first glance. That is what it is so interesting to have someone who has been contemplating this over for some thirty years to give their take on their meaning. Since meeting Tim and having been inspired to try this myself. I have enjoyed this process even though sometimes it just seems so perplexing. The cool thing is that the theory informs the practice and the practice informs the theory. How I viewed the Yoga Sutras and their interpretations has changed radically over the years. As I learn a new concept from them I try to apply it to my yoga and meditation practice. As my yoga and meditation practice evolves my understanding of the meaning behind the words also transforms. 
We covered a lot today yet there was one that I particularly enjoyed. Sutra III.27 states Bhuvana jnanam surye samyamat. It can be translated as: By samyama on the Sun comes knowledge of the entire universe. The word samyama means the “catch-all” process of concentration, meditation and absorption (dharana, dhyana and samadhi). Tim stated, “The sun is the eye of the world. If we become one with the eye of the world we can see all things.” I really liked this view point. The concept of the sun being the eye of the world reminds me of the idea that stars are just the holes to heaven (Jack Johnson fans will catch that one). To keep this practical I feel this sutra is beneficial because it encourages us to open our minds to greater possibility. There is the potential that we can learn from the Yoga Sutras and experience for ourselves the liberation that the great sages have been trying to verbalize and describe for eons.

Mystery versus Mastery

Mystery versus Mastery  
A couple of really great questions were asked during the training today. One of them was, “Is it possible to master a yoga pose?” The question arises because we are striving to achieve a certain form with our bodies that is often measured against someone else’s ability. There are certain criteria points that are looked for to ascertain if one is able to progress to the next stage or posture in the Ashtanga sequences. 

  
Take for example the pose Eka Pada Bakasana. This is one of the most challenging of the arm balance poses in the 3rd series to enter into “correctly.” You balance on your hands while resting one knee in the same side armpit and simultaneously lift the opposite leg high above behind creating a counterbalance effect that requires significant strength but more importantly alert proprioceptive awareness. What makes it really challenging is the entry into the pose is from a tripod headstand. So one element of the question regarding this pose is how high does that back leg knee to go in order to be considered a “complete pose?” The evolution of the question turned to “Is it possible to create a perfect pose?” 

  
Tim’s response was, “Perfectionism is a curse.” He also said, “Mastery is a pretty highfalutin thing!” Plenty of giggles were heard after that comment. He continued by stating, “I think it is more about mystery, not mastery.” This was the perfect statement for me to hear today. I really love this. The definition of mystery is something that is difficult or impossible to understand or explain. As opposed to mastery which is control or superiority over someone or something. Naturally mastery might seem more appealing because it implies that we are in control and the nature of the mind is to desire permanence in all of our endeavors. Whereas mystery leaves the door open for interpretation which encourages self inquiry to determine ones own experience of what perfect is. This potentially could be a crux in the development of our own yoga practice. I believe that it is positive to have an ideal to strive for initially to encourage us to move beyond our own habit patterns. In the end though it is necessary for us to really probe mystery and or even to surrender to it.

  
Another question that I enjoyed was, “Is there a connection between physical posture alignment and ‘getting our head straight?’” Tim’s response to this was, “I hope so!” There was laughter all around to that one. He also said, “Typically the personality of the person comes through in the way that they practice.” This might seem obvious but I still found it quite profound. This is where having a teacher can be so beneficial because if the teacher can see this and offer “adjustments” to help transform the practitioners imbalance, one can truly “realign” both physically and mentally. 

  
Tim had mentioned a book by Chogyam Trungpa called “Cutting Through Spiritual Materialism.” In it he mentioned how the author describes that there is this phenomenon when we begin to achieve spiritual wisdom that we feel quite enlightened and liberated. Yet because our old habits run deep we then start to build our own samskaras, or “habit patterns,” into our practice and then often become deceived that we have truly evolved. What once seemed like freedom actually becomes a cage. So what is the answer then? Tim’s reply was, “Don’t be a perfectionist!” This is definitely something to think about.

The Grandfather of Vinyasa Flow

The Grandfather of Vinyasa Flow    

Tim Miler is one of the first people in the United States to begin to create Vinyasa Flow sequences. Born out of continuous practice of the Ashtanga Vinyasa routines, the exploration of unique and intelligent sequencing became a seed that has sprouted to tremendous proportion. It is important to note that this innovative enthusiasm evolved from having a dedicated method of practice for many years. His theory is that it is absolutely essential to have a consistent routine to serve as the kernel of authentication within the realm of alternative sequencing.   

If you are not a musician and someone hands you an instrument, you can begin to bang away on the instrument and make sound. Yet the sound that comes out won’t be very harmonious. That is because a proper foundation needs to be laid in place first. You need to learn the notes, scales and chord patterns primarily and then you can start to piece together the beginnings of a song. When someone becomes proficient at playing compositions that other master musicians have arranged then there might come the desire to try to compose their own song. Yet always the underpinning of the rudiments are drawn upon as the bedrock of creative orchestration.  

This analogy applies to Yoga in exactly the same way. Can you take a few poses that you see in a magazine, try them, and then put them into some order and make a sequence? Yes, exactly the same way that you can pick up a guitar and pluck the strings and make a few notes sounds relatively pleasant. That is about the extent of it however. To make real progress, mastering the fundamentals can be extremely beneficial for being able to develop in a safe and harmonious manner.   

With all of that being said, today I practiced Vinyasa Flow with Tim in his 7am Improvisation class. True to the class name, Tim takes requests from the students, and then creates a routine based on those requests. Much the way jazz musicians improvise from a heart centered, creative space. The practice is rooted in Ashtanga Vinyasa so that the foundational elements are inherent. Today we practiced poses from all of the 4 series and one of them even came from the 5th. That doesn’t mean all of us could do each and every one (of course), yet through the experience of the collective group we attempted to try them to the best of our ability. It was the most fun that I have had in a long time! The idea is to think outside the box and explore things that we have perhaps never investigated before. Tim practiced all of the poses with us and had some of his extremely talented students demonstrate the truly ‘off the planet’ ones. Before going into the class I had bit of a dilemma(albeit a good dilemma to have). I felt like I should practice Mysore because that is what a good ashtangi does. I have been learning that sometimes the greatest chance for growth often comes from doing the opposite of what we think it is we should do. Someone had requested the pose where you go into handstand and then slowly lower your chest down to the floor with the chin forward and bend the body into a scorpion shape to touch the toes to the head in a backbend. Yes, I’m not kidding. One of the students made it look like child’s play. The essence of the practice seemed to take one to a new place and see how that enhances or challenges one’s own concepts of what is possible. In this case I was completely inspired to the point of genuine stoke.   

At the end of the practice we took a long savasana and Tim put on some soothing music. I felt so alive in my body and when I least expected it I had tears of joy flowing down my cheeks. I had such an overwhelming sense of connection and appreciation that it brought me to tears of happiness. I have had this happen before when practicing with Timji. I never know when it is going to hit but I have to admit it feels cleansing. There is something to be said for letting down our defenses and allowing emotion to move though us.  

Yoga comes from India. So learning yoga the way it is practiced in India brings an element of authenticity to the procedure. Traditionally yoga is in place to help humanity realize peace and liberation. If independence from suffering is the cornerstone of the practice then perhaps we might be able to merge with that goal.